Goulburn, R.C. Cathedral, organ by Hill & Son, 1890
Wind pressure 78 mm (3 inches) measured at c0 Open Diapason 8 ft. (large) and c0 and f0 Open Diapason 8 ft. (small). The wind pressure operating the Barker lever action was not measured, since the special bellows supplying that action was not inflating.
Details of soundboards and wind chest
Great |
Swell |
Choir |
Pedal | Pedal Open Diapason |
|
Construction | Slider | Slider | Slider | Slider | Pallet chest + wind ventil |
Placement* | 2.57m | 1.93m | 1.93m (transverse) |
1.35m (transverse) |
- (transverse) |
Width of chest | 2.25m | 2.20m | 60cm | 65cm | - |
Depth of chest | 1.15m | 1.44m | 1.67m | 3.0m | - |
Order of channels | Symmetrical (small in centre, C on left) |
Symmetrical (large in centre, C on left) |
Assymetrical - 9 displaced |
See below | - |
* distance from floor to bottom of pallet chest (Fig.9)
Order of channels for Pedal soundboard
e0 | d0 | c0 | A# | G# | F# | E | D | C | C# | D# | F | G | A | B | c0 | d#0 |
f#0 | - - | - - | - - | - - | - -> | <- - | - - | - - | - - | f0 |
Order of ranks
GREAT | SWELL | ||||
1 | Open Diapason | 8 ft (large) | 1 | Bourdon | 16 ft |
2 | Open Diapason | 8 ft (small) | 2 | Open Diapason | 8 ft |
3 | Hohlflute | 8 ft | 3 | Salicional | 8 ft |
4 | Principal | 4 ft | 4 | Stopped Diapason | 8 ft |
5 | Twelfth | 3 ft | 5 | Voix Celeste | 8 ft |
6 | Harmonic Flute | 4 ft | 6 | Principal | 4 ft |
7 | Fifteenth | 2 ft | 7 | Fifteenth | 2 ft |
8 | Mixture | III | 8 | Mixture | III |
9 | Posaune | 8 ft | 9 | Horn | 8 ft |
CHOIR | 10 | Oboe | 8 ft | ||
1 | Dulciana | 8 ft | PEDAL | ||
2 | Gamba | 8 ft | 1 | Open Diapason | 16 ft |
3 | Lieblich Gedact | 8 ft | 2 | Bourdon | 16 ft |
4 | Suabe Flute | 4 ft | 3 | Violoncello | 8 ft |
5 | Clarionet | 8 ft | 4 | Trombone | 16 ft |
Measurements of soundboards (mm)
GREAT | SWELL | CHOIR | PEDAL | |
Thickness of pallet chest | 480 | 520 | 370 | 365 |
Height of pallet chest | 135 | 135 | 108 | 123 |
Height of note channels | 95 | 97 | 70 | 85 |
Thickness of base board | 13 | 14 | 15 | 15 |
Thickness of sliders | 9 | 7 | 7.5 | 8 |
Thickness of top board | 24 | 25 | 27 | 55 (Bourdon) 45 (others) |
Pallet form | simple (fig 10) | split (fig 11) | simple | simple |
Measurements of slider widths (mm)
Rank designations as above
GREAT | SWELL | CHOIR | PEDAL | |
Bearer | 35 | 42 | 48 | 45 |
Rank 1 | 68 | 80 | 75 | 93 |
Bearer | 50 | 55 | 45 | 145 |
Rank 2 | 68 | 66 | 64 | 60 |
Bearer | 75 | 50 | 55 | 110 |
Rank 3 | 75 | 58 | 70 | 67 |
Bearer | 66 | 55 | 43 | 40 |
Rank 4 | 66 | 69 | 64 | 35 |
Bearer | 54 | 50 | 27 | 45 |
Rank 5 | 52 | 55 | 70 | |
Bearer | 30 | 38 | 37 | |
Rank 6 | 70 | 56 | ||
Bearer | 28 | 49 | ||
Rank 7 | 50 | 41 | ||
Bearer | 55 | 25 | ||
Rank 8 | 75 | 65 | ||
Bearer | 33 | 52 | ||
Rank 9 | 122 | 118 | ||
Bearer | 44 | 24 | ||
Rank 10 | 68 | |||
Bearer | 46 |
2 double-rise bellows present.
The larger one, situated in the lower part of the organ, supplies wind at 78mm for all of the pipework.
The smaller one, sited to the left of the Swell box supplies wind for the Barker lever mechanism.
Other details are as follows:
Large bellows for pipework | Small bellows for action | |
Height of base board above floor level | 33 cm | level with Choir and Swell soundboards - about 1.93 cm from the floor |
Thickness of base boards | 5 cm | 2.7 cm |
Height of junction | 12.5 cm | 10 cm |
Width of bellows | 3.4 m | 75 cm |
Depth of bellows | 2.35 m | 1.45 m |
Weights | About 30 stone slabs, no inscription | 6 lead wights inscribed "B". 2 iron weights (blocks) (no inscriptions) 1 stone slab (no inscriptions) |
2 Concussion bellows
Wind trunk measurements
External dimensions | Thickness of timber | Total length | |
Bottom reservoir to Choir soundboard | 27 cm x 10 cm | 10 mm | 152 cm |
Bottom reservoir to Great soundboard | 33 cm x 14 cm | 10 mm | 225 cm |
Bottom reservoir to Swell soundboard | 39.5 cm x 14 cm | 10 mm | 223 cm |
Bottom reservoir to Pedal soundboard | 27 cm x 10 cm | 10 mm | 128 cm |
Action reservoir to action | 13 cm x 5.5 cm | 10 mm | 226 cm |
Swell tremulant (Plate 3)
Hand blowing apparatus is still present and operable. (Plate 45)
The large handle (right hand side) supplies the lower reservoir (i.e. wind
for the pipework).
The small handle (left hand side) supplies the upper reservoir for the Barker
lever action.
The remains of the two telltales are visible on Plate 45.
The console telltale has vanished, although its hole can still be seen.
Safety vales
Both lower and upper reservoirs have pull-down safety valves.
Order of stopknobs
LH jamb |
RH jamb |
||
21 |
|||
20 |
|||
19 |
|||
18 |
|||
17 |
|||
16 |
|||
15 |
|||
14 |
35 |
||
13 |
34 |
||
12 |
33 |
||
11 |
32 |
||
10 |
31 |
||
9 |
30 |
||
8 |
29 |
||
7 |
28 |
||
6 |
27 |
||
5 |
26 |
||
4 |
25 |
||
3 |
24 |
||
2 |
23 |
||
1 |
22 |
Numbering for the above
GREAT | SWELL | ||||
27 | Open Diapason | 8 ft (large) | 11 | Bourdon | 16 ft |
28 | Open Diapason | 8 ft (small) | 12 | Open Diapason | 8 ft |
29 | Hohlflute | 8 ft | 13 | Salicional | 8 ft |
30 | Principal | 4 ft | 14 | Stopped Diapason | 8 ft |
32 | Twelfth | 3 ft | 15 | Voix Celeste | 8 ft |
31 | Harmonic Flute | 4 ft | 16 | Principal | 4 ft |
33 | Fifteenth | 2 ft | 17 | Fifteenth | 2 ft |
34 | Mixture | III | 18 | Mixture | III |
35 | Posaune | 8 ft | 19 | Horn | 8 ft |
20 | Oboe | 8 ft | |||
CHOIR | 21 | Tremulant | |||
22 | Dulciana | 8 ft | PEDAL | ||
23 | Gamba | 8 ft | 1 | Open Diapason | 16 ft |
24 | Lieblich Gedact | 8 ft | 2 | Bourdon | 16 ft |
25 | Suabe Flute | 4 ft | 3 | Violoncello | 8 ft |
26 | Clarionet | 8 ft | 4 | Trombone | 16 ft |
COUPLERS | |||||
1 | Choir to Pedal | ||||
2 | Great to Pedal | ||||
3 | Swell to Pedal | ||||
4 | Swell to Great | ||||
5 | Swell to Choir | ||||
6 | Swell Octave to Great |
Face-shape | Circular, Diam. 28 mm |
Diagonal distance (25 deg. from centre of one draw-stop to the next) | 72-74 mm |
Vertical distance from centre of one draw-stop to the next | 53-55 mm |
Shanks | Circular section, Diam. 19 mm |
Length of head, incl. label | 52 mm |
Length of draw | 74-77 mm (55 mm for tremulant) |
Type of lettering | Roman sans-serif capitals, 4 mm high Plates 46-48 |
Cross-section of stop head | Fig 12, Plate 49. |
Colour of lettering | |
LH jamb, Swell | Black |
LH jamb, Pedal | Dark green |
Couplers | Red (only 3 originals present) |
RH jamb, Great | Black |
RH jamb, Choir | Red |
Music desk assembly lifts out to expose mechanism.
Keyboards
Compass C-g3 (56 notes)
Vertical distance between Manual I and Pedal | 75 cm |
Vertical distance between Manual I and Manual II | 68 mm |
Vertical distance between Manual II and Manual III | 64 mm |
Horizontal distance between Manual I and Manual II | 105 mm |
Horizontal distance between Manual II and Manual III | 105 mm |
Length of one octave | 162 mm |
Length of 3 octaves | 488 mm |
Depth of touch, manual I / II / III | 6 / 8 / 7-8 mm |
Materials
White keys: ivory
Black keys: ebony
Pedals
Compass C-f1 (30 notes), concave and non-radiating, c-centred. d0 is 50mm lower
than extremities.
Fig. 15 and Plate
51.
Keyboard cheeks
Lighting arrangements
The present light fittings look quite old, and they may well be original.
Composition pedals
3 composition pedals of iron the the Great and Pedal.
3 composition pedals of iron for the Swell. (Plate
51)
These act as follows:
Combination | 1 | 2 | 3 | ||
GREAT | |||||
27 | Open Diapason | 8 ft (large) | - | + | + |
28 | Open Diapason | 8 ft (small) | + | + | + |
29 | Hohlflute | 8 ft | + | + | + |
30 | Principal | 4 ft | - | + | + |
32 | Twelfth | 3 ft | - | + | + |
31 | Harmonic Flute | 4 ft | - | - | + |
33 | Fifteenth | 2 ft | - | - | + |
34 | Mixture | III | - | - | + |
35 | Posaune | 8 ft | - | - | o |
PEDAL | |||||
1 | Bourdon | 16 ft | + | + | + |
2 | Violoncello | 8 ft | - | + | + |
3 | Trombone | 16 ft | - | - | o |
Combination | 1 | 2 | 3 | ||
SWELL | |||||
11 | Bourdon | 16 ft | - | - | + |
12 | Open Diapason | 8 ft | - | - | + |
13 | Salicional | 8 ft | + | + | + |
14 | Stopped Diapason | 8 ft | + | + | + |
15 | Voix Celeste | 8 ft | - | - | o |
16 | Principal | 4 ft | - | - | + |
17 | Fifteenth | 2 ft | - | - | + |
18 | Mixture | III | - | - | o |
19 | Horn | 8 ft | - | + | + |
20 | Oboe | 8 ft | - | + | + |
Nameplate of the builder is now missing, but its original position between Manual III and the music desk assembly is clearly visible. The rebuilder's nameplate is shown in Plate 6.
Organ bench - Fig. 17
Swell shutter control by hitch-down pedal (3 positions), Plate 51.
The display pipes are arranged into 5 groups of flats: 5 - 12 - 7 - 12 - 5 (Plate 2)
These pipes are decorated in 2 basic patterns, A & B, in this order: A
- B - A1 - B - A.
A1 only differs from A in the band near the top of each pipe.
Additionally the Pedal Open Diapason 16 ft is partly displayed int he left hand side of the case, and has a simple decorative pattern of horizontal bands.
Above the right hand side of the case, the tops fo teh Pedal bourdon 16 ft and the Pedal trombone 16 ft are visible.
Size
Width 5 metres, depth 4.2 metres (incl. pedals), height approx. 6 metres.
Shape of display pipemouths Fig. 18 and Plate 52.
Order of display pipes
Pedal Open Diapason 16 ft: A G F D# C# C D E F# F# A#
Great Open Diapason 8 ft (large)
Great Open Diapason 8 ft (small)
x = dummy pipe.
E | D | C | C | D | E | F# | G# | G# | A# | c0 | d0 | e0 | f#0 | f#0 | x | e0 | d0 | c0 | A# | B | c#0 | d#0 | x | x | f0 | f0 | d#0 | c#0 | B | A | A | G | G | F | D# | C# | C# | D# | F |
Tuning access through 4 side doors and a lift-off reed tuning flap at the front.
Doors are also present on the sloping surfaces.
6 horizontal shutters, each 1.96 m x 25 cm.
Wood 46 mm thick.
Total depth of Swell box = 1.66 m.
Total width of Swell box = 2.28 m.
Total height of Swell box = 2.75 m.
Shape of Swell box Fig. 19.
All 16 mm thick.
Rack pillars 118 mm high (Fig. 20)
Wooden screws for rack nuts.